By Virginia Beane Rutter, Thomas Singer
Between old Greece and glossy psyche lies a divide of not just 3 thousand years, yet cultures which are worlds aside in paintings, expertise, economics and the accelerating flood of old occasions. This exact number of essays from a global number of members deals compelling facts for the usual connection and relevance of old delusion to modern psyche, and emerges from the second one 'Ancient Greece, sleek Psyche' convention held in Santorini, Greece, in 2012.
This quantity is a strong homecoming for these looking a residing connection among the psyche of the ancients and our glossy psyche. This publication appears to be like at everlasting subject matters resembling love, attractiveness, demise, suicide, goals, historical Greek myths, the Homeric heroes and the tales of Demeter, Persephone, Apollo and Hermes as they connect to subject matters of the trendy psyche. The members suggest that that the hyperlink among them lies within the underlying archetypal styles of human behaviour, emotion, snapshot, proposal, and memory.
Ancient Greece, glossy Psyche: Archetypes Evolving makes transparent that an important a part of decoding our dilemmas is living in a familiarity with Western civilization's oldest tales approximately our origins, our ache, and the which means or meaninglessness in lifestyles. it is going to be of significant curiosity to Jungian psychotherapists, teachers and scholars in addition to students of classics and mythology.
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Extra info for Ancient Greece, Modern Psyche: Archetypes Evolving
4, Photograph of Sophie Scholl © 2014 Manuel Aicher, Dietikon (Switzerland). 10, Hermes flying ©The Trustees of the British Museum. 8, Hermes leading the Horai © Acropolis Museum, photo: Socrates Mavrommatis. 9, Hermes in his cradle, Hydrie de Caeré à figures noires / Peintre de l’aigle (6e siècle av. ) © RMN – Grand Palais (musée du Louvre) © Hervé Lewandowski. 9) Dawn blessed the second Ancient Greece, Modern Psyche: Archetypes Evolving Conference in both her symbolic and literal forms as we convened again in 2012 on the island of Santorini, ancient Thera.
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In 2000, Ben established the UBS Film School at the University of Sydney, which he ran from 2000 to 2004, and in 2004, he founded the Sydney Film School where he is currently Executive Director. Two of Ben’s short films – The Kitchen and Ascension – have won awards, and in 2006, he was present as an international juror at the One Take Film Festival in Zagreb. The Kitchen attracted international critical acclaim by winning the Grand Prix at the inaugural Akira Kurosawa Memorial Short Film Festival held in Tokyo in 2005.